What it actually decides.
IMAG stands for image magnification. A camera covers the stage, the feed goes through a switcher, and the screens carry the speaker at a size the whole room can read. It is what separates a conference from a slide show.
The threshold is roughly a room where the back row is more than about fifteen metres out, or any room where the audience needs to read expression — an award presentation, a keynote, a panel where who is speaking matters as much as what is said.
It is not the same job as putting slides on a screen, and this is where budgets get caught out. Slides are a laptop and a cable. IMAG is at least one camera, an operator, a switcher and someone cutting it, because a camera left unattended on a wide shot is worse than no camera at all. Where slides and IMAG share a screen, someone has to decide live which one the room sees at any moment, which is a person, not a setting.
Done properly it is invisible. The audience simply feels close to the stage, which is the entire point.
We own this equipment.
Corporate event production — owned inventory, our own crew, and a site survey before anything is specified.